{"id":8076,"date":"2020-09-02T14:11:36","date_gmt":"2020-09-02T12:11:36","guid":{"rendered":"http:\/\/njp.no\/?p=8076"},"modified":"2023-03-22T08:29:25","modified_gmt":"2023-03-22T07:29:25","slug":"see-the-njp-seminar-with-mark-sealy-here","status":"publish","type":"post","link":"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/","title":{"rendered":"See the NJP-seminar with Mark Sealy here"},"content":{"rendered":"\r\n<h3 class=\"wp-block-heading\"><strong>Based on his new book \u201cDecolonising the Camera\u201d and his work with Magnum&#8217;s historical photo library<\/strong>, <strong>curator and cultural historian Mark Sealy uses photography to advocate for the under-represented.\u00a0<\/strong><\/h3>\r\n\r\n\r\n14 August, Fritt Ord and NJP invited to the online seminar &#8220;Advocating for the under-represented through photography&#8221;. You can watch a recording of the seminar here on NJPs website and on <a href=\"https:\/\/www.youtube.com\/watch?v=5bdtqpBABME&amp;feature=youtu.be\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"YouTube (opens in a new tab)\">YouTube<\/a>.\r\n\r\n&nbsp;\r\n\r\n\r\n\r\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5bdtqpBABME\" width=\"1280\" height=\"720\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe>\r\n\r\n\r\n\r\nWhat is the relationship of photography to social change, identity politics, ethnicity and human rights? British Mark Sealy joined Jonas Bendiksen and four NJP photographers and discussed photography and the role of photographers in documenting the world around them, taking their point of departure in the political developments of recent months.\r\n\r\n\r\n\r\n<strong>NJP and Fritt Ord<\/strong> offered a direct streaming of the discussion moderated by Magnum photographer Jonas Bendiksen. Along with Sealy, Bendiksen and the four NJP photographers Brian Olguin, Sofie Amalie Klougart, Javad Parsa and Nora Savosnick talked about the position of images and photographs in contemporary society and how multi-culturalism is represented in the industry both inside and outside of Norway.\r\n\r\n\r\n\r\nMark Sealy has delved into Magnum&#8217;s photo library and found images that elevate those who are under-represented. He has seen the stories in the photographs through new eyes, opening the public space to other voices.\r\n\r\n\r\n\r\n<strong>In recent months,\u00a0<\/strong>the focus on Black rights in the US has triggered similar discussions in Europe and Norway. The same issues have been raised in the media and among photographers:\r\n\r\n\r\n\r\nWhy do westerners make up such an overwhelming majority of photographers? How do we feel about the fact that European and American photographers travel the world to document the reality of others? Editorial boards and photographers are discussing the modest number of multi-culturals in the business, questioning whether multi-cultural communities in Norway are under-reported, and exploring the lack of sources and access to other communities in our own country.\r\n\r\n\r\n\r\nThe four NJP photographers reflected on their backgrounds and projects during the discussion.\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" class=\"wp-image-6225\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-1024x678.jpg\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-1024x678.jpg 1024w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-290x192.jpg 290w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-300x199.jpg 300w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-768x509.jpg 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-100x65.jpg 100w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/til_fritt_ord_aug_10-1359x900.jpg 1359w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Photo: Brian Cliff Olguin<\/figcaption><\/figure>\r\n\r\n\r\n<strong>Brian Olguin&#8217;s project<\/strong>\u00a0&#8220;Brother&#8221; is a photo project about young men in the Oslo suburb of Holmlia.\u00a0Young men from immigrant backgrounds often perform poorly in statistics on schools, education and working life. Combined with news coverage of episodes of violence, one is often left with a distinct impression about this group of young people in Oslo. Brian, himself a native of Holmlia, will use photography to portray different &#8220;brothers&#8221; and allow us insight into their everyday lives. His goal is to give the majority a more nuanced picture of this group.\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"755\" class=\"wp-image-6227\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-1024x755.jpg\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-1024x755.jpg 1024w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-290x214.jpg 290w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-300x221.jpg 300w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-768x567.jpg 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sofie_contacts-1220x900.jpg 1220w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Photo: Sofie Amalie Klougart<\/figcaption><\/figure>\r\n\r\n\r\n<strong>Danish Sofie Amalie Klougart\u00a0<\/strong>documents the East African Masai. In \u201dThe Modern Masai\u201d, she depicts the life of this group as its members struggle to preserve their Masai identity while adapting to the modern world&#8217;s standards and demands. By portraying young men in particular, she delineates a complex situation for a demographic group under pressure.\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" class=\"wp-image-6228\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-1024x683.jpg\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-1024x683.jpg 1024w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-290x193.jpg 290w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-300x200.jpg 300w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-768x512.jpg 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-360x240.jpg 360w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Nora04-1350x900.jpg 1350w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Photo: Nora Savosnick<\/figcaption><\/figure>\r\n\r\n\r\n<strong>Nora Savosnick\u00a0<\/strong>grew upas the only Jew in her class. Now, she wants to show Norwegians what a Jewish life can be like. Her goal is to inspire tolerance by using readily recognisable references in photography. Her project includes photographs of Jews from different backgrounds and levels of religious practice in America, Israel and Europe, devoting special attention to Norway.\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" class=\"wp-image-6229\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-1024x683.jpg\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-1024x683.jpg 1024w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-290x193.jpg 290w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-300x200.jpg 300w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-768x512.jpg 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-360x240.jpg 360w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Javad013-1350x900.jpg 1350w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Photo: Javad Parsa<\/figcaption><\/figure>\r\n\r\n\r\n<strong>Iranian Javad Parsa<\/strong> has already spent several years working on his project about exiled Iranians the world over. As a freelancer for the French photo agency Sipa Press, he fled his native country after being awarded the cover of Time Magazine for a photo of demonstrations in Iran. He arrived in Turkey and began photographing exiled Iranians. In his new life, he has met many Iranian immigrants. Each of them has their own reasons for leaving their home country, but every single person he has talked to hopes to return to Iran some day. The project is Javad&#8217;s personal history of the Iranian diaspora around the world.\r\n\r\n\r\n\r\n<strong>About Mark Sealy:<\/strong>\r\n\r\n\r\n\r\nSealy has been director of Autograph ABP (London) since 1991, and he has produced art publications, curated exhibitions and hired photographers and film-makers from all over the world, including the critically acclaimed exhibition &#8220;Human Rights Human Wrongs&#8221; at the Ryerson Image Centre in Toronto in 2013 and at The Photographer\u2019s Gallery in London in 2015. He has written for many international photography publications like Foam Magazine and Aperture. In 2002, Sealy and Professor Stuart Hall edited <em>Different<\/em>, which focussed on photography and identity politics.\u00a0His projects include the exhibition &#8220;Self Evident&#8221; at the Icon Gallery Birmingham and &#8220;The Unfinished Conversation: Encoding\/Decoding&#8221; at The Power Plant Contemporary Art Gallery in Toronto.\u00a0His PhD focussed on photography and cultural violence. He has recently been guest curator of a show entitled &#8220;African Cosmologies&#8221; at the 2020 Houston Photo Festival: Photography, Time, and the Other.\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"981\" height=\"1024\" class=\"wp-image-6230\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-981x1024.jpg\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-981x1024.jpg 981w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-278x290.jpg 278w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-287x300.jpg 287w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-768x801.jpg 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01-862x900.jpg 862w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Sealy_portrett01.jpg 2000w\" sizes=\"auto, (max-width: 981px) 100vw, 981px\" \/><\/figure>\r\n\r\n\r\n<strong>Mark Sealy has<\/strong> served on the juries for the World Press Photo, the Carmignac Gestion Photojournalism Award, and the Sony World Photo Award.\u00a0He chaired the jury for the Kraszna-Krausz Foundation Book Award in 2015 and the Hasselblad Photography Award in 2017.\r\n\r\n\r\n\r\n<strong>\u201cI maintain<\/strong> that it is only within the political and cultural location of a photograph that we can discover the coloniality at work within it, and only then, through understanding this, can a process of enquiry begin into the nature of its colonial cultural coding. A key aspect of decolonising the camera is to not allow photography\u2019s colonial past and its cultural legacies in the present to lie unchallenged and unagitated, or to be simply left as the given norm within the history of the medium.&#8221;\r\n\r\n\r\n\r\n<strong>&#8220;Decolonising the photographic<\/strong> image is an act of unburdening it from the assumed, normative, hegemonic, colonial conditions present, consciously or unconsciously, in the moment of its original making and in its readings and displays. This is therefore a process of locating the primary conditions of a racialised photograph\u2019s coloniality and, as such, decolonising the camera works within a form of black cultural politics to destabilise the conditions, receptions and processes of Othering a subject within the history of photography.\u201d\r\n\r\n\r\n\r\n<strong>Excerpt from Mark Sealy&#8217;s book <\/strong><em><strong>Decolonising the Camera: Photography in Racial Time <\/strong><\/em><strong>(2019).\u00a0<\/strong>\r\n\r\n\r\n\r\n\u201cMuch of the discourse around the history of photography has been preoccupied with defining the photographic canon and considering the photograph in relation to the history of art; leading to the construction and presentation of a populist history of photography that is dominated by Western photographers. It is important to also look at photography in terms of time, space and distance and the work that the photograph does in culture, politics, and history. This requires an examination of its application across contested ideological constructions of difference that were being formed at the historical moment that photography was invented.\u201d\r\n\r\n\r\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" class=\"wp-image-6231\" src=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-1024x682.png\" alt=\"\" srcset=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-1024x682.png 1024w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-290x193.png 290w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-300x200.png 300w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-768x512.png 768w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-360x240.png 360w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy-1350x900.png 1350w, https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/Magnum_Sealy.png 1958w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\r\n\r\n\r\n<strong>From Mark Sealy&#8217;s article on Magnum&#8217;s website.<\/strong>\r\n\r\n\r\n\r\n\u201cI think once we get ourselves over the idea that photography is not this fantastic invention, the undisputed eye of the world, but is just another dominant tool used to narrate Eurocentric perspectives, then I think we\u2019re in a place where we can begin to unpick photography\u2019s social meanings through the prism of different ways of seeing\u2026 It\u2019s a form of curatorial resistance work. It\u2019s about understanding that things aren\u2019t always the way that powerful cultural institutions tell us that they are.\u201d\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>Based on his new book \u201cDecolonising the Camera\u201d and his work with Magnum&#8217;s historical photo library, curator and cultural historian Mark Sealy uses photography to advocate for the under-represented.\u00a0 14&#8230;<\/p>\n","protected":false},"author":3,"featured_media":7798,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[252],"tags":[],"class_list":{"0":"post-8076","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>See the NJP-seminar with Mark Sealy here - Norwegian Journal of Photography<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"See the NJP-seminar with Mark Sealy here - Norwegian Journal of Photography\" \/>\n<meta property=\"og:description\" content=\"Based on his new book \u201cDecolonising the Camera\u201d and his work with Magnum&#8217;s historical photo library, curator and cultural historian Mark Sealy uses photography to advocate for the under-represented.\u00a0 14...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\" \/>\n<meta property=\"og:site_name\" content=\"Norwegian Journal of Photography\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-02T12:11:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-22T07:29:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/sealy001.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2702\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Espen Rasmussen \/ NJP-redaksjonen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Espen Rasmussen \/ NJP-redaksjonen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\"},\"author\":{\"name\":\"Espen Rasmussen \/ NJP-redaksjonen\",\"@id\":\"https:\/\/njp.no\/#\/schema\/person\/814bd483053e576f92c6dced1cfd043a\"},\"headline\":\"See the NJP-seminar with Mark Sealy here\",\"datePublished\":\"2020-09-02T12:11:36+00:00\",\"dateModified\":\"2023-03-22T07:29:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\"},\"wordCount\":1216,\"image\":{\"@id\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/njp.no\/wp-content\/uploads\/2020\/09\/sealy001.jpg\",\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\",\"url\":\"https:\/\/njp.no\/en\/2020\/see-the-njp-seminar-with-mark-sealy-here\/\",\"name\":\"See the NJP-seminar with Mark Sealy here - 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